Having recently watched and reviewed the Sinbad Trilogy—“The 7th Voyage of Sinbad (1958),” “The Golden Voyage of Sinbad (1974),” and “Sinbad and the Eye of the Tiger (1977)”—I’ve become of fan of both Charles H. Schneer and Ray Harryhausen, the main producer and special-effects master of the trio of films, respectively (although Harryhausen also produced…